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Sally Crawford-Shepherd is a dance practitioner, choreographer, and lecturer. Her research focuses on popular dance, screen dance and cultural theory, and her publications include Dance on Screen , Dancing on the Canon and Bodies of Sound She teaches breaking classes locally for the Toronto B-Girl Movement.

Catherine E. Catherine has published widely and is a dancer and musician.

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Her research and teaching focus on experimental performance-making; community arts and eco-activism; sport and music; and the politics and poetics of performance, theater, music, and dance in Mexico. She studies the convergence of ideas and events that built structures of opportunity for cultural producers in the nineteenth century. Her first book looked at female visual artists. She was a professional ballet and contemporary dancer, and now practices vintage swing dances.

The Oxford Handbook of Dance and Competition - Sherril Dodds - Oxford University Press

Her current research focuses on social dance, cultural events, and choreographic practices in South West Romania, and the history of the Balkan dance scene in the United Kingdom. Her publications on Spanish dance and culture range from historical inquiries to anthropological explorations. Her current research uses Gaga, Ohad Naharin's movement language, as a case study to explore politics of technique, nationalism, neoliberalism, and gender in international contemporary concert dance trends.

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  • Kaitlyn Regehr PhD is an ethnographer and documentarian. Her work has appeared internationally in academic and popular print outlets including Variety Magazine and the Los Angeles Times. Her doctoral research focused on the construction and performance of spectacle in male Street dance crew performances on British television talent shows.

    ISBN 13: 9780415087940

    Her current book project analyzes institution building through a dance lens, using as her case study the fifty-year struggle to uphold norms of dance production and professionalization in the Dance Program at the US National Endowment for the Arts NEA. Her research focuses on the politics and practices of dancing in sixteenth- and seventeenth-century Europe. A scholar-practitioner, she also teaches Renaissance dance workshops and is a co-founder of The Shakespeare and Dance Project. Yutian Wong is an Associate Professor in the School of Theatre and Dance at San Francisco State University where she teaches courses in dance history and theory, composition, and writing in the discipline.

    She is presently at work on a book project using the Vietnam Veterans Memorial as a case study to consider the body, as a complicating factor, in processes of national, collective memorialization.

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